pissue 002:
the second coming
the second coming
star speaks in future perfect
ahead of starring in Silverback Mountain, read margarita louca’s conversation with star amerasu about putting her cast of characters to work in the Jeffree Star Yak Mines and her vision of 2099.
ahead of starring in Silverback Mountain, read margarita louca’s conversation with star amerasu about putting her cast of characters to work in the Jeffree Star Yak Mines and her vision of 2099.
stacy kranitz lives in the
grey area
in March of 2025, Jacquin Cunningham spoke to Kranitz about Skatopia, As It Was Give(n) to Me, contronting extremism, pamphlets, and her show, The Safety Net, with Chris Vereene.
grey area
in March of 2025, Jacquin Cunningham spoke to Kranitz about Skatopia, As It Was Give(n) to Me, contronting extremism, pamphlets, and her show, The Safety Net, with Chris Vereene.
justin liam o’brien
loves nyc
o’brien on the perfect city, why he loves to paint it, and staying connected.
loves nyc
o’brien on the perfect city, why he loves to paint it, and staying connected.
PISS sat down with yi Hou to discuss where he’s headed, how this new work is an evolution on his last show, and how the body can be tea.
here’s how Miwa does it all, balancing one of the most exciting presses in operation with letting her inner “beast” roam free.
PISS sat down with Hoff on a sunny morning and riffed on her experience making the new album with Sharon van Etten, influences from post-punk to avant-jazz, and musical catharsis.
creepypasta communion
julia silverberg takes us to church on digital congregation: “perhaps, in worshipping the internet, we’ve finally found the god we deserve.”
julia silverberg takes us to church on digital congregation: “perhaps, in worshipping the internet, we’ve finally found the god we deserve.”
alexander schneider (a.k.a @homocommunist) in conversation with Liz Purchell & K.J. Shepard on Crusing the Movies, Ask Any Buddy, a new four and a half-hour trans epic, and how queer cinema never lets you leave the movies alone.
cruising bárbara sánchez-kane and sofía alazraki’s fortuna y fetiche
at dashwood projects in new york, the two artists cruise for objects for their exhibition of sensual exquisite corposes.
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